Sixth in a series starring psychoanalyst Max Libermann, a
“consulting” psychiatrist to the Prague police department, Death and the Maiden does not disappoint, whether you’re new to Max
or have been long acquainted with him and his detective friend Oskar
Rheinhardt. If you’ve never read one of Tallis’ mysteries, I urge you to start
with the first one (A Death in Vienna)
and read them all, although I started with the sixth and it was so immediately engaging that I quickly went to the library and got all the previous
books and read them, one after another. In Death and the Maiden, as
in all the books, music and opera—with real-life conductor/composer Gustav
Mahler at the helm of the Vienna Opera House—play a major role. The plot
circles around a dead diva and widens to include high-placed politicos and even
royals, creating treacherous sinkholes that threaten to engulf both Max and
Oskar.
Tallis clearly loves Vienna, and he spares no mouth-watering detail when
describing the pastries and whipped-cream-coffees that Oskar and Max frequently
devour while pondering the clues and suspects. The city of Vienna, some ten
years before the Great War begins, is also described so colorfully and clearly
that you truly feel you are there, even including the growing threat of
anti-Semitism, for which we shudder on Max’s behalf. In addition to Mahler,
Sigmund Freud is a recurring character, the “great man” of his field whom Max
visits and admires—and he’s always telling groan-worthy Jewish jokes, very
funny. Well-crafted mysteries and murder stories, serious and very likeable
characters (including a very interesting love interest for Max) and complete
immersion in early 20th century Vienna combine to make this series a
really satisfying read—and it’s been optioned for television, which should be
fun, too.
Death and the Maiden
(Early 20th Century Prague) A Max Liebermann Mystery
Frank Tallis (Random House: New York, 2012)
ISBN: 978-0-8129-8334-0
Frank Tallis (Random House: New York, 2012)
ISBN: 978-0-8129-8334-0
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